Daniel Guernsey received his Ph.D. in Art History from the University of Wisconsin-Madison. His areas of specialization are eighteenth- and nineteenth-century European art and European intellectual history. He is the author of The Artist and the State, 1777-1855: The Politics of Universal History in British and French Painting (Ashgate, 2007) as well as several articles on the philosophy of history in European art during the Neo-Classical and Romantic periods. Courses he teaches include Enlightenment and Romanticism, 1700-1848; Realism, Impressionism, and Post-Impressionism, 1848-1900; The History of Aesthetic Thought in Europe, 1760-1900; Critical Methods in Art History; and Theories of Civil Society in Europe from Bernard Mandeville to Karl Marx, 1700-1848. His current research focuses on the religious, political, and economic dimensions of G. W. F. Hegelâs Lectures on Aesthetics.
Daniel Guernsey received his Ph.D. in Art History from the University of Wisconsin-Madison. His areas of specialization are eighteenth- and nineteenth-century European art and European intellectual history. He is the author of The Artist and the State, 1777-1855: The Politics of Universal History in British and French Painting (Ashgate, 2007) as well as several articles on the philosophy of history in European art during the Neo-Classical and Romantic periods. Courses he teaches include Enlightenment and Romanticism, 1700-1848; Realism, Impressionism, and Post-Impressionism, 1848-1900; The History of Aesthetic Thought in Europe, 1760-1900; Critical Methods in Art History; and Theories of Civil Society in Europe from Bernard Mandeville to Karl Marx, 1700-1848. His current research focuses on the religious, political, and economic dimensions of G. W. F. Hegel’s Lectures on Aesthetics.
